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Cicero held that the desire (libido) to procreate was "the seedbed of the republic", as it was the cause for the first form of social institution, marriage.Marriage produced children and in turn a "house" (domus) for family unity that was the building block of urban life.
The robustly sexual Milesiaca of Aristides was translated by Sisenna, one of the praetors of 78 BC.Sexuality was an important category of Roman religious thought.The complement of male and female was vital to the Roman concept of deity.In the popular imagination and culture, it is synonymous with sexual license and abuse." Roman society was patriarchal (see paterfamilias), and masculinity was premised on a capacity for governing oneself and others of lower status, not only in war and politics, but also in sexual relations.(Virtus), "virtue", was an active masculine ideal of self-discipline, related to the Latin word for "man", vir.Everyday objects such as mirrors and serving vessels might be decorated with erotic scenes; on Arretine ware, these range from "elegant amorous dalliance" to explicit views of the penis entering the vagina.
in some spot which depicts various couplings and sexual positions: just as Telamonian Ajax sits with an expression that declares his anger, and the barbarian mother (Medea) has crime in her eyes, so too a wet Venus dries her dripping hair with her fingers and is viewed barely covered by the maternal waters.
The connections among human reproduction, general prosperity, and the wellbeing of the state are embodied by the Roman cult of Venus, who differs from her Greek counterpart Aphrodite in her role as a mother of the Roman people through her half-mortal son Aeneas.
During the civil wars of the 80s BC, Sulla, about to invade his own country with the legions under his command, issued a coin depicting a crowned Venus as his personal patron deity, with Cupid holding a palm branch of victory; on the reverse military trophies flank symbols of the augurs, the state priests who read the will of the gods.
Forms of expression with lower cultural cachet in antiquity—such as comedy, satire, invective, love poetry, graffiti, magic spells, inscriptions, and interior decoration—have more to say about sex than elevated genres, such as epic and tragedy.
Information about the sex lives of the Romans is scattered in historiography, oratory, philosophy, and writings on medicine, agriculture, and other technical topics.
The Dii Consentes were a council of deities in male–female pairs, to some extent Rome's equivalent to the Twelve Olympians of the Greeks.